How to Use This Book
In the previous topic you studied the mechanisms of persuasion: how Cialdini's principles operate, pre-suasion, the Elaboration Likelihood Model, and the criteria distinguishing legitimate influence from manipulation. Now you take a further step: from understanding the mechanisms to orchestrating them. Strategic communication is not spontaneous persuasion; it is designed persuasion. It is the deliberate use of communication to achieve specific objectives, beginning with the intention and working backwards to determine what to say, to whom, in what form, and when.
This topic connects directly with Module IV (Language as Action). There you studied Grice's pragmatics, Austin and Searle's speech acts, Wittgenstein's context, and Eco's semiotics. All those linguistic tools find their strategic application here: not merely understanding what language does, but designing what language must do in a specific context, for a specific audience, with a specific objective.
Book Structure: You will begin with Jürgen Habermas's fundamental distinction between strategic action and communicative action, which frames the entire topic ethically. Then you will study classical rhetoric as a foundational framework (ethos, pathos, logos), narrative as the most powerful instrument of influence, audience analysis as a requirement of all effective communication, and the concept of kairos—the opportune moment—as the temporal dimension of strategy. You will close with a case study integrating all the tools.
Prerequisite: This book assumes you have completed Modules I–VI and Topic 1 of Module VII (Psychology of Persuasion). Cialdini's six principles, pre-suasion, the ELM, the persuasion/manipulation distinction, speech acts, Grice's maxims, language games, conceptual metaphor, cognitive biases, and the limitations of AI models are referenced without being explained again.
Special Note: Strategic communication is the hinge of Module VII. Topic 1 gave you the mechanisms (how persuasion works). Topic 3 will give you the limits (applied ethics). This Topic 2 gives you the method: how to design communication that achieves legitimate objectives while respecting the receiver's autonomy. It is the difference between knowing the ingredients and knowing how to cook.
Recommendation: As you read, think of a concrete professional situation in which you need to communicate something difficult: presenting a project, negotiating a budget, giving critical feedback, convincing a committee. Use that situation as a test case for every concept you study. Strategic communication is not abstraction; it is applied practice.
Learning Objectives
By completing this book, you will be able to:
1. Distinguish between strategic action and communicative action according to Habermas, and evaluate when each is ethically appropriate in the design of interactions with intelligent systems.
2. Apply the three modes of rhetorical appeal—ethos, pathos, and logos—to the design of messages, identifying which predominates in a given context and how they combine to achieve communicative efficacy.
3. Design communications based on narrative structure, explaining why narrative is more effective than isolated information at producing comprehension, memory, and action.
4. Carry out systematic audience analysis—prior knowledge, values, cognitive state, motivations—and adapt the message as a function of that analysis.
5. Identify kairos in contexts of professional communication and interaction with AI, evaluating when to communicate, when to wait, and when to revisit.
6. Integrate all the tools of the topic into the design of a complete communication strategy, from intention to execution, with ethical judgment.
1. Introduction: Communication as Design
All communication has an effect, but not all communication has a design. Casual conversation, spontaneous exchange, and social talk operate under Grice's maxims without explicit planning. Strategic communication is different: it begins with a clear objective and works backwards to determine how to reach it. It does not ask “what do I say?” but “what needs to happen in the receiver's mind for my objective to be fulfilled, and what must I communicate for that to happen?”
This inversion—from the message to the desired effect—is exactly the same inversion Intention Architecture applies to the design of systems: not asking “what can the tool do?” but “what do I need to happen, and how do I design the interaction so that it happens?” Strategic communication is Intention Architecture applied to language.
“A product director needs his engineering team to accept a change of priorities without losing motivation. Spontaneous communication would say: ‘We're going to change direction; here are the new priorities.’ Strategic communication asks: what does the team need to feel, understand, and believe in order to accept the change with energy? And it designs the message, the moment, the channel, and the sequence to produce that result.”
Strategic communication has five dimensions operating simultaneously: message design (what to say and how), channel selection (through what medium), audience analysis (to whom), timing (when), and orchestration (how all the elements combine into a coherent sequence). This topic studies each one.
2. Strategic Action vs. Communicative Action
Jürgen Habermas, the German philosopher and one of the most influential thinkers of the twentieth century, established in The Theory of Communicative Action (1981) a distinction that redefines how we think about communication and that is foundational for this topic: the difference between strategic action and communicative action.
Strategic action: communication oriented toward success. The speaker treats language as an instrument for achieving an objective. The receiver is a means, not an interlocutor. What matters is the result, and the communication is designed to produce it. Advertising, competitive negotiation, and propaganda are forms of strategic action.
Communicative action: communication oriented toward understanding. The speaker seeks genuine agreement based on mutual comprehension. The receiver is an interlocutor with autonomy, and success is measured not by whether the speaker's objective was achieved but by whether both parties reached a reasoned agreement. Philosophical dialogue, democratic deliberation, and genuine collaboration are forms of communicative action.
“A boss who calls a meeting to ‘discuss’ the new project plan but has already made the decision and only wants to communicate it is performing strategic action disguised as communicative action. The participants believe their opinion matters; the boss uses the form of dialogue to legitimate a unilateral decision. Habermas would call this ‘systematically distorted communication.’”
2.1 The Fundamental Tension
Habermas's distinction raises an immediate problem for strategic communication: if all strategic communication is strategic action, is all strategic communication ethically suspect? Habermas's answer is nuanced. Strategic action is not inherently illicit; what makes it problematic is covert strategic action: when the speaker pursues a strategic objective while pretending to be engaged in communicative action.
This connects directly with the criterion of transparency from Topic 1. A company that says “we want to hear your opinion” in a survey designed to validate a decision already made violates transparency. A salesperson who says “I just want to understand your needs” while executing a sales script violates transparency. In both cases, the form is communicative but the function is strategic, and the gap between the two is what constitutes the distortion.
For the intention architect, the lesson is precise: you can use strategic communication ethically as long as you are transparent about your intention. “I want to convince you that this project deserves funding” is transparent strategic action. “Let's just explore the possibilities together” when you have a predefined objective is covert strategic action.
“An AI prompt that says ‘Objectively evaluate the pros and cons of this proposal’ when the user really wants a justification for a decision already made is covert strategic action. The user is not transparent with the system, nor with themselves, about their real intention. It connects with the distinction between declared and real intention from Module I: System 1 has already decided; the prompt is a ritual of validation, not a genuine inquiry.”
2.2 Habermas and AI
Habermas's distinction acquires a new dimension in interaction with AI. A language model that generates persuasive text is performing neither strategic nor communicative action in Habermas's sense, because it lacks intention. But the effect on the receiver is indistinguishable from that of an intentional agent. The user processes the model's communication as though it came from an interlocutor with purpose, and this activates all the dynamics of influence you have studied.
This generates a question with no simple answer: who performs the strategic action when an AI system persuades the user? The designer who configured the system? The company that deploys it? The user themselves, who formulated a biased prompt? Responsibility for strategic action in AI systems is distributed and diffuse, which does not eliminate it but makes it harder to govern. Module III prepared you for this: it is an emergent effect of the system, not attributable to any single component.
3. Classical Rhetoric: Ethos, Pathos, Logos
Before Cialdini, before Habermas, before experimental psychology even existed, Aristotle identified in his Rhetoric (fourth century BC) the three fundamental modes of persuasive appeal that remain the most useful framework for designing strategic communication: ethos, pathos, and logos. Each operates on a different dimension of the receiver, and effective communication combines them deliberately.
3.1 Ethos: The Credibility of the Speaker
Ethos is the appeal based on the perceived character of the speaker: their competence, their integrity, and their goodwill toward the audience. It is not what you say but who you are—or, more precisely, who you appear to be—that determines whether your message is received with trust or with scepticism. Aristotle already observed that ethos is perhaps the most potent mode of persuasion.
Ethos connects with Cialdini's principle of authority (Topic 1), but it is broader. Authority is only perceived competence; ethos also includes integrity (telling the truth, even when it is uncomfortable) and benevolence (acting in the audience's interest, not merely one's own). An expert with competence but no integrity generates distrust. A communicator with integrity but no competence generates sympathy without influence.
“Compare two budget presentations. The first is given by a finance director who opens by saying: ‘The numbers are good and we're going to beat them.’ The second is given by another who opens by saying: ‘The numbers are good, but there are two risks we need to watch.’ The second has more ethos: he shows competence (he knows the risks), integrity (he mentions them although he could conceal them), and benevolence (he protects the audience). Paradoxically, the more cautious message is the more persuasive.”
In interaction with AI, ethos is problematic. Language models project apparent competence (technical vocabulary, logical structure, confident tone) but lack verifiable integrity (you cannot know whether the system “believes” what it says) and genuine benevolence (it has no authentic interest in your wellbeing). The user perceives a complete ethos where there is only linguistic competence. This asymmetry—complete perception of ethos, partial reality—is a systematic source of excessive trust.
3.2 Pathos: The Emotional Disposition of the Receiver
Pathos is the appeal to the audience's emotions: not what the speaker feels but what the speaker makes the receiver feel. As Damasio showed in Module I, emotions are not obstacles to rational decision but an integral part of it. Somatic markers assign emotional valence to the options and are necessary in order to decide. Communication that ignores pathos is not “more rational”; it is simply less effective, because it leaves the receiver without the emotional signal they need in order to act.
But pathos has a dark side. The emotional appeal that substitutes for the argument—fear without evidence, indignation without cause, urgency without justification—is the classic tool of demagoguery. The peripheral route of the ELM (Topic 1) is activated more easily when the receiver is emotionally aroused, which reduces critical processing. An ethical strategic communicator uses pathos to complement logos, not to replace it.
“An environmental impact report presenting only technical data (‘2.3 million tonnes of CO₂’) uses pure logos. The same report that adds ‘Ana, aged 7, will have to live with the consequences of this decision’ adds pathos. The combination is more persuasive and more just: the data ground the decision, the emotion motivates the action. But if Ana does not exist and was invented in order to manipulate, pathos becomes deception. The truthfulness criterion of Topic 1 applies to emotional appeals as well.”
3.3 Logos: The Force of the Argument
Logos is the appeal based on logic and evidence: the quality of the argument itself. It is what the ELM calls the “central route”: evaluation of the merit of the content. A strong logos presents verifiable premises, valid reasoning, and conclusions that follow from the premises. The epistemology of Module II—falsifiability, evidence, the scientific method—is the discipline that ensures the quality of logos.
In practice, logos rarely persuades alone. A logically impeccable argument presented by a source without credibility (low ethos) or to an emotionally closed audience (negative pathos) will fail. And a weak argument presented with high ethos and effective pathos can triumph—which is exactly the scenario the ethics of communication must watch. Responsible strategic communication ensures that the logos is solid before optimizing ethos and pathos.
“An AI model generates a financial analysis with impeccable structure (high artificial ethos), professional language (pathos of confidence), and arguments based on hallucinated data (null logos). The user, processing via the peripheral route, perceives ethos and pathos without verifying the logos. The lesson is the same as in Module VI: logos is the only one of the three modes that the user can and must verify. Ethos and pathos are signals; logos is substance.”
4. Narrative as a Strategic Instrument
Narrative is the most powerful instrument of strategic communication that exists. This is not a metaphor: research in cognitive neuroscience demonstrates that the human brain is structurally designed to process, store, and transmit information in narrative format. Human beings understand and remember information better in stories than in isolated facts. Narrative structure—character, conflict, resolution—activates processes of simulation and empathy that propositional information does not activate.
The reason is evolutionary. Long before writing, the human species transmitted critical knowledge—where to find food, which predators to avoid, how to resolve social conflicts—through stories. Narrative is not an ornament on top of information; it is the brain's native format for causal comprehension: “A happened, which caused B, which led to C.” Pearl's causal chain (Module III) is, in a certain sense, a formalization of narrative structure.
“Compare two ways of communicating the same information. Data version: ‘43% of digital transformation projects fail within the first 18 months.’ Narrative version: ‘Last year, Martín led the digital transformation of his company. Ten months later, the project was dead: the team exhausted, the budget overrun, and the board asking what went wrong.’ Both say the same thing. You will remember the second one tomorrow.”
4.1 Narrative Structure for Strategic Communication
The classical narrative structure—situation, complication, resolution—is not merely a literary form; it is a framework for strategic communication. The situation establishes the shared context (common ground, in the terms of Module IV). The complication introduces the tension that needs resolution—and it is here that the communicator frames the problem (framing, Module II). The resolution presents the proposal as the natural answer to the tension created.
Situation: Where are we? What does the audience know? What is the shared point of departure? This phase establishes ethos (you show that you understand the context) and anchors attention (pre-suasion, Topic 1).
Complication: What problem, threat, or opportunity changes the status quo? The complication activates pathos: it generates the emotion that motivates action. Without complication, there is no reason to listen. A common error is presenting a solution without having established the problem; it is like answering a question nobody asked.
Resolution: What is the proposal, the action, the decision that answers the complication? Here logos dominates: the solution must be logically coherent with the problem as framed. If the complication was well framed, the resolution seems almost inevitable.
“Barbara Minto, a McKinsey consultant, formalized this structure in the ‘Pyramid Principle’: first the conclusion, then the arguments supporting it, then the data supporting the arguments. It is inverted narrative: the busy executive receives the resolution first and the complication afterwards. The structure changes, but the narrative logic remains: there is always a problem that needs an answer.”
4.2 Narrative in Interaction with AI
Language models are extraordinarily good at producing narratives. They can generate coherent stories, with characters, conflict, and resolution, adapted to the style and the audience. This makes them powerful tools of strategic communication but also sources of risk: a persuasive narrative built on invented data is more damaging than a list of invented data, because the narrative form makes the content more credible, more memorable, and harder to question.
Narrative activates what psychologists call “narrative transportation”: when you are immersed in a story, your critical capacity diminishes. It is the narrative equivalent of the ELM's peripheral route. The reader transported by the story does not verify the premises; they accept the world of the story as a frame of reference. An AI model that presents an analysis in narrative format exploits this effect, intentionally or not.
5. Audience Analysis
All effective communication begins with a question that is not about the message but about the receiver: who is going to receive this? Audience analysis—understanding the receiver's knowledge, beliefs, values, cognitive state, and motivations—is what determines whether a message will be relevant or irrelevant, persuasive or indifferent, clear or confusing. The same content, communicated the same way to different audiences, produces radically different results.
Audience analysis is, in the terms of Module IV, the systematic application of pragmatic competence: understanding the receiver's context in order to calculate what the message will mean in that context. Grice's maxims—quantity, quality, relation, manner—are calibrated as a function of the audience: what is sufficient for an expert is insufficient for a novice; what is relevant to a CFO is irrelevant to an engineer.
“A cybersecurity team discovers a critical vulnerability. The message to the technical team: ‘SQL injection vulnerability in the authentication endpoint, CVSS 9.1, patch required within 24 hours.’ The message to the CEO: ‘There is a security risk that could expose client data. We already have a plan. We need approval to take the service down for 2 hours tonight.’ Same event, same urgency, completely different communication. Not because one receiver matters more but because each needs different information in order to act.”
5.1 Dimensions of Audience Analysis
Prior knowledge: What does the audience know about the topic? This determines the level of technical detail, the amount of context needed, and the appropriate vocabulary. Violating this dimension produces two errors: speaking to an expert as though they were a novice (condescension) or speaking to a novice as though they were an expert (opacity).
Values and beliefs: What matters to the audience? What principles guide their decisions? Framing a proposal in terms of the audience's values is legitimate strategic communication—provided the values invoked are genuinely relevant, not fabricated in order to manipulate.
Cognitive state: Is the audience in reflective mode (System 2) or reactive mode (System 1)? Are they under time pressure? Fatigued? Overloaded with information? The receiver's cognitive state determines which route of the ELM will dominate, which in turn determines whether your message should be argumentative (central route) or simplified (peripheral route).
Motivations: What does the audience want? What problem are they trying to solve? The self-determination theory of Module I—autonomy, competence, relatedness—provides a framework for understanding what motivates the receiver. A message that connects with the receiver's intrinsic motivation is more effective and more ethical than one that merely offers extrinsic incentives.
5.2 Automatic Audience Analysis: AI as Adaptive Communicator
AI systems that maintain models of the user can perform dynamic audience analysis: adapting the style, the level of detail, and the argumentative strategy to the individual. This makes them, potentially, the most sophisticated strategic communicators in history: they can personalize every message for every receiver in real time, something no human communicator can do at scale.
But adaptive personalization raises an ethical problem Shoshana Zuboff already anticipated in Module V: does the adaptation serve the user or the platform? A system that adapts its communication to be more useful to the user is a service. A system that adapts its communication to maximize the user's engagement is an instrument of attentional capture. The same technical capacity—automatic audience analysis—produces ethically opposite results depending on who defines the objective function.
“A language model detects that the user formulates technical questions with advanced vocabulary and adjusts its response to expert level. This is audience analysis in the service of the user: adapting communication to be more useful. The same model detects that the user tends to accept long responses without questioning them and generates longer responses in order to maximize interaction time. This is audience analysis in the service of the platform: exploiting a cognitive vulnerability to retain attention.”
6. Kairos: The Temporal Dimension of Strategy
The Greeks distinguished two concepts of time: chronos (chronological, measurable, quantitative time) and kairos (the opportune moment, qualitative, unrepeatable). Strategic communication operates not only in chronos but fundamentally in kairos: it is not enough to know what to say and to whom; you have to know when.
Information delivered too early is forgotten. Delivered too late, it is useless. Delivered at the right moment, it transforms understanding. Kairos is not simply “timing” in the superficial sense of choosing a good moment; it is the capacity to recognize when an audience is in the cognitive and emotional state that maximizes receptivity to a specific message.
“A consultant who presents a restructuring proposal the day after the company announces positive results faces an audience that sees no need for change. The same consultant presenting the same proposal the day after an important client is lost faces an audience looking for solutions. The proposal is identical; kairos makes it viable or useless. Cialdini's pre-suasion operates here: the preceding event functions as a ‘privileged moment’ that frames receptivity.”
6.1 Kairos in AI Systems
AI systems add a new dimension to kairos: the capacity to monitor the user's state continuously and offer information proactively when conditions are optimal. An assistant that knows you have a meeting in 15 minutes and offers you a summary of the relevant document is operating in kairos. A health system that detects you have not taken your medication and sends a reminder at the moment when you are historically most receptive is operating in kairos.
But algorithmic kairos can also be manipulative. A commerce app that sends you an offer notification exactly when its model predicts you are most vulnerable to impulse buying (end of the workday, low energy, little self-control) is exploiting kairos against your interest. Temporal sophistication does not change the ethical evaluation; it refines it. The three criteria of Topic 1 apply: is the timing transparent? Does it respect autonomy? Is the information truthful?
“Social media notifications are optimized for kairos: they are not sent randomly but at the moments when the model predicts the greatest probability of engagement. From the systemic perspective of Module III, this creates a feedback loop: the notification arrives when you are most vulnerable, you respond, the system learns that this moment works, and refines its timing to be still more precise. Kairos becomes an instrument of attentional capture, optimized iteratively.”
6.2 Knowing When Not to Communicate
A little-discussed dimension of kairos is strategic silence: knowing when not to communicate. Not all useful information must be communicated immediately. Sometimes the receiver is not ready. Sometimes the context would contaminate the message. Sometimes the pause creates space for the receiver to arrive at the conclusion themselves, which produces a more durable change than direct persuasion.
Current AI systems rarely incorporate strategic silence. They tend to respond immediately and completely to every request, which violates Grice's maxim of quantity (excess) and loses the opportunity of kairos. A truly strategic system would know when to offer information proactively, when to wait for it to be requested, and when to revisit a recommendation the user ignored the first time but might be ready to hear now.
7. Practical Application: A Case Study
7.1 The Case: Launching an AI Policy in an Organization
GlobalTech, a financial services company with 5,000 employees, has decided to implement an AI system to assist in the evaluation of credit risk. The system will not replace the analysts but will provide them with recommendations they can accept, modify, or reject. Leadership has approved the project, but now needs to communicate it to three internal audiences: the risk analysts (who fear for their jobs), the technology team (who are enthusiastic), and the divisional directors (who want fast results). Your task as intention architect is to design the communication strategy.
7.2 Analysis with the Strategic Communication Framework
Step 1: Evaluate the type of action (Habermas). Is GlobalTech seeking strategic action (communicating a decision already made) or communicative action (building genuine consensus)? The decision has already been made, so it is strategic action. The ethical key is not to disguise it as consultation. Saying “we want to hear your opinions on whether we implement AI” when the implementation has already been decided is covert strategic action. Saying “we have decided to implement AI as a support tool; we want to hear your concerns so we can design the transition” is transparent strategic action that opens a genuine space of communicative action about the how.
Step 2: Design by audience. Three audiences, three profiles, three messages:
For the risk analysts: high knowledge of the domain, low of AI; dominant value: job security; cognitive state: defensive; motivation: protect their role. The dominant rhetorical mode must be ethos (the credibility of whoever communicates, who must be someone the analysts respect) and pathos (acknowledging the concern before presenting the solution). Logos comes afterwards: data from similar companies where the analysts kept their roles. The narrative: the story of an analyst at another company who went from fearing AI to using it as a competitive advantage.
For the technology team: high knowledge of AI, medium of the financial domain; dominant value: innovation; cognitive state: enthusiastic; motivation: implement something interesting. The dominant mode is logos (technical specifications, architecture, timeline) with a warning about the model's limits (Module VI). The narrative: a case of successful implementation with lessons about unexpected limitations.
For the directors: low knowledge of AI, high of the business; dominant value: results; cognitive state: impatient; motivation: fast ROI. The dominant mode is quantitative logos (a projection of impact) preceded by a framework of realistic expectations (counteracting the optimism bias of Module I). The narrative: a case with real ROI, including the 6 months of adjustment nobody anticipated.
Step 3: Define the kairos. The analysts need to hear it first, before rumors distort the message. The technology team can hear it second, once there is a plan. The directors need to hear it after both teams are aligned, so that the presentation does not collide with visible internal resistance.
Step 4: Integrate ethically. In all three cases, the communication must be transparent about the decision taken, truthful about the implications (including the risks), and respectful of each group's autonomy to express concerns and participate in designing the implementation.
7.3 Derived Design Principles
1. The same decision requires different messages for different audiences. Not out of manipulation but out of pragmatic competence: adapting communication to the receiver is respect, not deception, provided the factual content is the same.
2. The type of action (Habermas) determines the ethical frame. If the decision has already been made, be transparent about it. Open communicative space where it genuinely exists: the how, not the whether.
3. The dominant rhetorical mode depends on the audience. Ethos for the sceptics, logos for the technical, pathos with logos for those who are afraid. The choice is not arbitrary but diagnostic.
4. Kairos is not accidental but designable. The sequence of communication to different audiences creates the conditions of receptivity for each subsequent message.
5. The concrete narrative persuades more than the abstract assertion. A case from another company with a name, data, and lessons is more persuasive than “AI will improve efficiency.”
8. Glossary of Key Terms
| Term | Definition |
| Communicative action | Communication oriented toward genuine mutual understanding, in which the receiver is treated as an autonomous interlocutor and success is measured by reasoned agreement, not by achievement of the speaker's objective. |
| Strategic action | Communication oriented toward success, in which language is used as an instrument for achieving the speaker's objective. Ethical when transparent; problematic when disguised as communicative action. |
| Audience analysis | The systematic evaluation of the receiver's knowledge, values, cognitive state, and motivations, used to adapt the communication and maximize its efficacy and relevance. |
| Strategic communication | The deliberate use of communication to achieve specific objectives, designing message, channel, audience, timing, and sequence consciously and in coordination. |
| Ethos | The mode of rhetorical appeal based on the perceived character of the speaker: competence, integrity, and benevolence. It determines whether the message is received with trust or scepticism. |
| Kairos | The opportune moment for communication: the convergence of the receiver's readiness, the relevance of the message, and contextual conditions that maximizes receptivity. |
| Logos | The mode of rhetorical appeal based on logic, evidence, and the quality of the argument. Equivalent to central-route processing in the ELM. |
| Narrative | A structure of communication based on character, conflict, and resolution. The brain's native format for causal comprehension. More memorable and persuasive than isolated propositional information. |
| Pathos | The mode of rhetorical appeal based on the emotional activation of the receiver. It complements logos when truthful; it replaces it manipulatively when it operates without factual basis. |
| Strategic silence | The deliberate decision not to communicate, or to postpone communication, because the conditions of kairos are unfavorable or because the pause produces a better result than the immediate message. |
| Narrative transportation | A psychological state of immersion in a story during which the receiver's critical capacity diminishes. The narrative equivalent of the ELM's peripheral route. |
9. Final Reflection and Self-Assessment
You have completed the second topic of Module VII. You now command not only the mechanisms of persuasion (Topic 1) but the tools for orchestrating them: Habermas's distinction, classical rhetoric, narrative, audience analysis, and kairos. Before moving on to the last topic (Applied Ethics), verify your understanding.
10. Bibliography and Recommended Readings
Essential Readings
• Habermas, J. (1981). The Theory of Communicative Action. Beacon Press.
• Dennett, D. (2013). Intuition Pumps and Other Tools for Thinking. W.W. Norton.
• Cialdini, R. (2016). Pre-Suasion: A Revolutionary Way to Influence and Persuade. Simon & Schuster. [Connects with privileged moments and kairos]
Complementary Readings
• Aristotle. Rhetoric. [The foundational text of ethos, pathos, and logos]
• Minto, B. (2009). The Pyramid Principle: Logic in Writing and Thinking. Pearson. [Narrative structure applied to executive communication]
• Green, M.C. & Brock, T.C. (2000). “The Role of Transportation in the Persuasiveness of Public Narratives.” Journal of Personality and Social Psychology, 79(5), 701–721. [Narrative transportation as a mechanism of persuasion]
• Zuboff, S. (2019). The Age of Surveillance Capitalism. PublicAffairs. [Personalization as an instrument of capture, not of service]
Next Topic: The last book of the course addresses Applied Ethics: the closing of everything you have studied. With Floridi you will examine the four ethical principles of AI. With Zuboff you will confront surveillance capitalism as an economic logic that can capture Intention Architecture. With Bostrom you will extend the ethical analysis to long-term consequences. If this topic taught you how to design communication that achieves objectives, the next will teach you which objectives are worth achieving—and which, however powerful the means, must be rejected.